Now I have officially quit my PhD I can relax about taking pictures for the first time in years and finally get back to taking pictures for myself. A project I have been thinking about for the last year or so is ‘The Final Five’ a project looking at the final five mines on the Durham Coalfield, which all happen to be within about five miles of my house, so not only is it interesting, it is doable, which makes it different on both counts from my PhD thesis.
My Final Five are
Dawdon: (1907 – 1991)
Murton: ( 1843 – 1991)
South Hetton / Hawthorn Combined: (1833 – 1992)
Seaham/Vane Tempest: (1849 – 1993)
Easington: (1899 – 1993)
I have done a bit of research and taken a handful of pictures, but nothing concrete as yet. In fact most of the research so far has been done with Google maps, so this morning after dropping Oscar off at nursery, it was such a beautiful day, I decided to try and shake some of the narcotic fug I seem to exist in lately (the legal prescription kind) and go for a walk along the cliffs at Easington.
The car park sits on the site of the old colliery, more or less in the centre of this scene, photographed in 1983 by John Davies:

There is a choice of two paths, one to the North, which takes you uphill and the other to the south, which takes you under a rail bridge and down to the cliff tops. My favorite walk is the later, but as today I am looking at the Colliery and not the beach, and I have poorly chosen footwear (dress shoes – my trainers have given up the ghost) I take the uphill section. It’s been a while since I walked this path. The last time was with Oscar as a baby and two dogs that have subsequently gone to live on the proverbial farm. I have also not walked this particular path here since before my accident, so I don’t know how I am going to get on with my gimpy foot.

At the head of the path I come across the first marker and a brief outline of the trail and what the various signposts mean. It’s been a decade since this 17.5 mile stretch of coastline has been redeveloped by ‘Turning the Tide’ an initiative set up by Durham County Council to renovate foot paths and tidy up beaches along the old Durham coalfield. The whole area has since returned to a kind of pre-glacial tundra.

The beaches along here are beautiful, melancholy, places. I’ve photographed the coastline before and every time I have been here with a ‘proper camera’, I have been approached by one of the forlorn figures that patrol the beaches in this area: embittered ex miners with an axe to grind about one thing or another. The remnants of the coalmining industry themselves are barely visible as they are slowly eroded by the sea: a long shelf of iron slag jutting out from the beach, bits and pieces of machinery poking through the sand, old tyres, boots, gloves, all mired into the clay-like sand.

I remember the last time I was here in particular: a man started talking to me after a stray dog jumped all over us. He thought it was mine and I thought it was his. He told me about the history of the colliery, its geology and workings, and how the government destroyed mining 25 years ago. He talked about the abandonment of the beaches by Durham County Council and how they have just left nature to clean up all the old chemicals that seep up through the sands. He told me about how he likes to walk here every day, sometimes for up to eight hours, up and down a six mile stretch, dodging the tide, searching for interesting fossils and old bits of junk.

It was quite poignant to hear him speak about his past, even more so because I had almost the exact same conversation with another old miner just four days before. After he left I noticed several older men shuffling along the beach, gazing out to sea and kicking their boots into the slag filled sand as if searching for something lost. I remember wondering at the time what it was they were looking for as they wandered aimlessly backwards and forwards along ground so desolate that looks more like the surface of Mars than a beach, a purpose, an identity…

There are no ex-miners patrolling today, not above the cliffs at any rate, and besides, I only have my iPhone as a camera, so I won’t be attracting any attention. The ‘Tags’ have been spaced out along the path in the fashion of a timeline, spaced out to signify the amount of time between each event. It’s a good idea, but I doubt it gets read much. I go up the path I read the tags detailing the various events in the history of the colliery.

It really is a beautiful place, subtly managed to give the appearance of a natural landscape, but there are markers everywhere of its industrial heritage, hidden in the long grass, or poking out from the dry rocky ground.

There sound of birds is deafening and the area is rich in insect life. Halfway up the hill there is a pond. I remember it was one of my old dog Sam’s favorite spots for a swim. There is abundant frogspawn in the shallow water, and very little sign of humans – apart from the managed landscape that is, but there is no litter. I don’t suppose the winds that scour the hill during less pleasant days leaves much lying around. It is beautifully and sunny this morning, but I can image this hillside is a very different place on a harsh winters evening. Exposed as it is to North Sea, it must get a battering. No wonder the only thing living on its exposed flanks are grasses and wild flowers. It must have been a bleak place to work in the winter.

Another sign tells me that the south shaft of the colliery was 1586 feet (483 metres) deep. It was the main entrance for miners who would reach its bottom in just over a minute riding a three-tier pit cage, an example of which has been erected here. Splendidly incongruous, the only visible remainder of the heavy industry that once covered this landscape; it weighs almost 12 tonnes and was re-instated a decade ago as part of the ‘Turning The Tide’ project. Legend has it that the cage has within it a time capsule.

I love that this massive obelisk is here. It’s a much more interesting reminder of the industrial heritage that the pit wheels that you find in abundance in this area. It stares out towards the sea in what the projects managers no doubt imagined is a poignant way. And it is beautiful; punctuating the beautifully coffered grasslands like a slap in the face might punctuate an argument. It is arresting and immediate. It demands that you stop and think about not just the old mines, but the act of mining itself, of going underground and picking at the earth with your bare hands. Beautiful.

The cage is a great photo-frame, which is perhaps the starting point for a project… I could photograph through the frame over the seasons, years, hours, who knows. There is also a great symmetry with a classic Who album cover, (Who’s Next) shot on this very beach in 1971.

Clearly somebody has found a use for it, as evidenced by this fire ring. You see a lot of these on the beaches around here, but not so many this far in land. It is a great place for a fire. I can just imaging sitting here on a summer evening, poking at the fire with a stick and looking out to sea. (In the winter time it would be a different experience of course.)

The walk back to the car is uneventful. I walk down a hill, cross a road bridge, and follow a footpath running parallel to the East Coast Main Line. As I walk along my mind wanders and I imagine this environment as it would have been thirty years ago covered in machinery and men toiling away. East Durham is a strange place. All of these little towns will be forever tied to the collieries that created them, but it is a complex relationship. The older generation of miners is growing smaller and smaller, but still they yearn for the old collieries, but those that did go underground in the past are far too old to do so again, should the mines miraculously reappear one morning.
And I can say with some certainty that if through some temporal trickery the colliery did reappear today, it would be closed in a matter of days due to lack of enthusiasm for such work. That’s not a reflection on Easington in particular, (although it does have a myriad of problems concerning its younger generations,) but in society in general. No one of my generation living and working in the UK today would go within a million miles of that kind of work. I know I wouldn’t.
Even if the workforce were willing, there simply aren’t the numbers required to run a pit anymore. All of these ex mining villages have shrunk back to the quick. South Hetton, where I have lived for the last eight years, went from a population of 263 in 1833 to 3,981 in 1843 a decade after The South Hetton Coal Company sank its first shaft. Today there are about 2,500 people living here, which means that along with the colliery buildings, homes for almost 4,000 people have since disappeared. It’s a similar story here in Easington, although its population has stayed relatively high at around the 5,000 mark.
But, life moves on, as it must, and I am not nostalgic for the old days. I am just interested in landscape and how it changes over time. I am particularly interested in the old mining communities because they represent a landscape that has been completely obliterated. Pit heads demolished, slag heaps flattened to create a network of hollowed out communities strung around the old coalfield like pearls along a necklace.

I don’t yearn for the return of the pits, but I am fascinated by the disparity between the visual and the memory. All of these towns have changed completely. Their former profiles in the landscape completely redrawn, and yet the memories of coke filled skies live on in many people’s minds, even those who have never even seen a working pit head, like me.
I am also drawn to the ghosts of buildings and how many of these former colliery sites have been cleared, but still lie unused and dormant. South Hetton, Easington, Dawdon, three of the last five Durham collieries closed in the 1990’s and all sitting empty, providing a kind of blank canvas on which to imagine former glories and ghostly silhouettes of long demolished buildings.
The only place there has been any redevelopment is Seaham and Murton, where retail parks and housing estates have sprung up in the last five years. It is almost as if the sites need to undergo a period of mourning before people are prepared to build on them. 20 years of emptiness, before someone is prepared to start afresh.
There are a few remnants of the old colliery here, not of the tourist information kind, but actual remnants overlooked by the bulldozers. Like this rusting old girder, the last remaining part of an old cable car system that would take coal and slag and dump it on the beach below. I like that this is here, overlooked and forgotten, because although I think the Turning The Tide project is in essence a good project, I prefer the un-sanitized view of history, not the risk assessed health and safety complaint version.
My walk is almost finished, not very far at all I’m afraid, what with my gimpy leg and my ill fitting shoes, I’m lucky I got this far without an air-sea rescue… I pass a few people walking their dogs, who give me somewhat quizzical looks for my lack of K9 companion, as if there would be no other reason to be in this part of the landscape. I stop under the bridge for a moment for a brief conversation with an old man I find chatting animatedly to an old terrier. He isn’t ancient, but just old enough to call me Son, something that brings a smile to my lips the day after my 36 the birthday…
“Nice day” I offer.
“Aye Son, you can’t even get vexed”
“No, mate, you can’t”